Readings in Philosophy

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Uploaded: 19.02.2009
Content: 90219181840443.zip (640,53 kB)

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On the origin of
The true content of life and works
On the relation between art and society
Criticism of the psychoanalytic theory of art
Art theory of Kant and Freud
"Enjoying art"
Aesthetic hedonism and happiness of knowledge
On the theory of art
The process of aesthetic experience; product of the process
Transient
Artifact and genesis
The work of art as the Monad and its immanent analysis
Art and art works
History currently works as a structure; which means clarity
Coercion to objectification and dissociating
The unity and multiplicity
Category intensity
"Why work rightly called beautiful?"
Depth
The notion of articulation (II)
To differentiate the concept of "progress"
The deployment of the productive forces
Change works
The interpretation, commentary, criticism
The real content of the work from a historical perspective; sublime in nature and art
The sublime and play
General and special
Nominalism and the decline genres
To a question about the aesthetics of genres in antiquity
By the philosophy of history generally accepted norms and rules
On the concept of style
Progress in art
The history of art as a heterogeneous process
Progress and mastery of the material
Equipment
Art in the industrial era
Nominalism and open form
Construction; statics and dynamics
Society
The dual nature of art: fait social and autonomy; the question of fetishism
Reception and production
The choice of material; Art subject; attitude to science
Art as a way of behaving
Ideology and truth
[Wine]
On reception of the new art
The relationship of art and society
Criticism of catharsis; kitsch and vulgarity
Attitude to practice; exposure, experience shock
Bias
Aestheticism, naturalism, Beckett
Against managed Arts
The possibility of art today
Political choices
Progress and reaction
Art and The Poverty of Philosophy
Of paramount importance and the art object
The problem of solipsism and false reconciliation
Paralipomena
Theory of the origin of art
Excursion
Early introduction
Obsolete in traditional aesthetics
Changing the function of a naive
The traditional aesthetics and contemporary art are irreconcilable
The truth and the fetishism of art
Forced aesthetics
Aesthetics as a haven of metaphysics
The aesthetic experience as an objective understanding
Intrinsic product analysis and aesthetic theory
By the dialectic of aesthetic experience
General and special
Criticism of the phenomenological research of origin
Attitude to Hegel's Aesthetics
The open nature of aesthetics; aesthetics of form and content
Aesthetics shape and content of (II); norms and principles
Methodology, "the second reflection," the story>
German publisher Epilogue
Situation
The collapse of the material
Razyskusstvlenie art; criticism of cultural industries
Language suffering
New Philosophy of History
On the problem of invariance; Experiment (1)
3aschita "isms"
"Isms" as a secularized school
Feasibility and randomness; modernity and quality
"The second reflection '
New and duration
The dialectic of integration and "subjective point"
A new utopia, negativity
Contemporary art and industrial production
Aesthetic rationality and criticism
Canon bans
Experiment (II). The seriousness and irresponsibility
The ideal of "blackness"
Relationship to traditions
Subjectivity and staff
Solipsism mimetic taboo age
Profession
Expression and structure
About categories ugliness, beauty and technology
On the category of ugly
The social aspect of the philosophy of history and the ugly
On the concept of beauty
Mimesis and rationality
The principle of design
Technology
The dialectic functionalism

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